The Four Seasons of Buenos Aires is an unusual collection of individual tangos that form a remarkable whole. Piazzolla transformed this folk dance into music capable of a variety of expression and sharply contrasted moods his tangos are by turn fiery, melancholy, passionate, tense, violent, lyric, and always driven by an endless supply of rhythmic energy. In his hands, the tango, which had deteriorated into a soft, popular form, was revitalized. Piazzolla returned to Argentina and gradually evolved his own style, one that combines the tango, jazz, and classical music. In 1954, he received a grant to study with Nadia Boulanger in Paris, and it was that great teacher who advised him to follow his passion for the tango as the source for his own music. He gave concerts, wrote film scores, and formed his own bands before a desire for wider expression drove him to the study of classical music. Very early, he learned to play the bandoneĆ³n, the accordion-like instrument that uses buttons rather than a keyboard, and he became a virtuoso on it. Astor Piazzolla was fabulously talented, and that wealth of talent caused him some confusion as he tried to decide on a career path.
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